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The Old Gun

The Old Gun

Drama · History · 1975

In Montauban in 1944, Julien Dandieu is a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in the back country village where Julien has an old castle. One week later, Julien decides to meet them for the week end, but the Germans are already occupying the village.

Movie details

The Old Gun

1975 Drama · History 1h 43m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

In Montauban in 1944, Julien Dandieu is a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in the back country village where Julien has an old castle. One week later, Julien decides to meet them for the week end, but the Germans are already occupying the village.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Old Gun?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Enrico

Written by

Robert Enrico · Claude Veillot · Pascal Jardin

Philippe Noiret

Philippe Noiret

Julien Dandieu

Romy Schneider

Romy Schneider

Clara Dandieu

Jean Bouise

Jean Bouise

François

Joachim Hansen

Joachim Hansen

SS Officer

Robert Hoffmann

Robert Hoffmann

German Lieutenant

Karl Michael Vogler

Karl Michael Vogler

Dr. Müller

C

Caroline Bonhomme

Florence Dandieu (8 years old)

Court is in session

Put The Old Gun on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.