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Deadline - U.S.A.

Deadline - U.S.A.

Crime · Drama · 1952

New York City newspaper The Day is in trouble. Even though editor Ed Hutcheson has worked hard running the paper, its circulation has been steadily declining. Now the publisher's widow wants to sell the paper, which will most likely mean its end. Hutcheson's only hope is to finish his exposé on a dangerous gangster before the sale is finalized.

Movie details

Deadline - U.S.A.

“20th Century-Fox savagely turns the spotlight of truth on revenge killings that shocked a nation !”

1952 Crime · Drama 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

New York City newspaper The Day is in trouble. Even though editor Ed Hutcheson has worked hard running the paper, its circulation has been steadily declining. Now the publisher's widow wants to sell the paper, which will most likely mean its end. Hutcheson's only hope is to finish his exposé on a dangerous gangster before the sale is finalized.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Deadline - U.S.A.?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Richard Brooks

Written by

Richard Brooks

Humphrey Bogart

Humphrey Bogart

Ed Hutcheson

Ethel Barrymore

Ethel Barrymore

Margaret Garrison

Kim Hunter

Kim Hunter

Nora Hutcheson

Ed Begley

Ed Begley

Frank Allen

Warren Stevens

Warren Stevens

George Burrows

Paul Stewart

Paul Stewart

Harry Thompson

Martin Gabel

Martin Gabel

Tomas Rienzi

Court is in session

Put Deadline - U.S.A. on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.