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The Roaring Twenties

The Roaring Twenties

Crime · Drama · Thriller · 1939

After World War I, Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.

Movie details

The Roaring Twenties

“The land of the free gone wild! The heyday of the hotcha! The shock-crammed days G-men took ten whole years to lick!”

1939 Crime · Drama · Thriller 1h 44m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

After World War I, Armistice Lloyd Hart goes back to practice law, former saloon keeper George Hally turns to bootlegging, and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Roaring Twenties?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Plunder Road

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Where it lives

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Names above the title

The people responsible.

Directed by

Raoul Walsh

Written by

Mark Hellinger · Richard Macaulay · Jerry Wald · Robert Rossen

James Cagney

James Cagney

Eddie Bartlett

Priscilla Lane

Priscilla Lane

Jean Sherman

Humphrey Bogart

Humphrey Bogart

George Hally

Gladys George

Gladys George

Panama Smith

Jeffrey Lynn

Jeffrey Lynn

Lloyd Hart

Frank McHugh

Frank McHugh

Danny Green

Paul Kelly

Paul Kelly

Nick Brown

Court is in session

Put The Roaring Twenties on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.