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The Dancer

The Dancer

Drama · History · 2016

A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the turn of the 20th century and an icon of the Belle Epoque. Inventor of the breathtaking Serpentine Dance, she was a pioneer of modern dance and lighting techniques. It was her complicated relationship to her protégé - Isadora Duncan – that precipitated the downfall of this early 20th century icon.

Movie details

The Dancer

2016 Drama · History 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the turn of the 20th century and an icon of the Belle Epoque. Inventor of the breathtaking Serpentine Dance, she was a pioneer of modern dance and lighting techniques. It was her complicated relationship to her protégé - Isadora Duncan – that precipitated the downfall of this early 20th century icon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Dancer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

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Names above the title

The people responsible.

Directed by

Stéphanie Di Giusto

Written by

Stéphanie Di Giusto · Sarah Thibau · Thomas Bidegain

Soko

Soko

Loïe Fuller

Gaspard Ulliel

Gaspard Ulliel

Louis

Mélanie Thierry

Mélanie Thierry

Gabrielle

Lily-Rose Depp

Lily-Rose Depp

Isadora Duncan

François Damiens

François Damiens

Marchand

Louis-Do de Lencquesaing

Louis-Do de Lencquesaing

Armand

Denis Ménochet

Denis Ménochet

Ruben

Court is in session

Put The Dancer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.