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Door on the Left as You Leave the Elevator

Door on the Left as You Leave the Elevator

Comedy · 1988

Yan is a successful artist. One day he is waiting for his date Florence to turn up at his apartment. As the doorbell rings, he finds another young woman in underwear on his doorstep: his neighbor Eva! She tells him she locked herself out of her apartment and insists that he helps her. Whilst Yan is trying to enter Eva's apartment via their adjoining balcony, his phone rings. It is Florence, and she is not impressed when a female voice answers the phone. At this point, Eva's rabidly jealous boyfriend Boris returns home. Seeing Yan in his apartment, he deduces that Eva has been having an affair behind his back. Florence then turns up and Yan tries in vain to explain the situation. By chance, Florence's husband suddenly puts in an appearance. After that, it all starts to get a bit complicated.

Movie details

Door on the Left as You Leave the Elevator

1988 Comedy 1h 23m

Critical arithmetic

The consensus, allegedly.

IMDb

6.6 / 10

2K votes

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Yan is a successful artist. One day he is waiting for his date Florence to turn up at his apartment. As the doorbell rings, he finds another young woman in underwear on his doorstep: his neighbor Eva! She tells him she locked herself out of her apartment and insists that he helps her. Whilst Yan is trying to enter Eva's apartment via their adjoining balcony, his phone rings. It is Florence, and she is not impressed when a female voice answers the phone. At this point, Eva's rabidly jealous boyfriend Boris returns home. Seeing Yan in his apartment, he deduces that Eva has been having an affair behind his back. Florence then turns up and Yan tries in vain to explain the situation. By chance, Florence's husband suddenly puts in an appearance. After that, it all starts to get a bit complicated.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Door on the Left as You Leave the Elevator?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Édouard Molinaro

Written by

Gérard Lauzier

Pierre Richard

Pierre Richard

Yann Ducoudray

Richard Bohringer

Richard Bohringer

Boris

Emmanuelle Béart

Emmanuelle Béart

Éva

Fanny Cottençon

Fanny Cottençon

Florence Arnaud

Pierre Vernier

Pierre Vernier

André Arnaud

Jean-Michel Dupuis

Jean-Michel Dupuis

Jean-Yves

Martine Maximin

Martine Maximin

Marilda

Court is in session

Put Door on the Left as You Leave the Elevator on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.