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Raising the Bar

Raising the Bar

Family · Drama · TV Movie · 2017

16-year-old Kelly quits an elite gymnastics program and moves to Australia. To help out a new friend and show up an old rival she re-enters competitive gymnastics, she'll have to find a way to move forward while making amends with her past.

Movie details

Raising the Bar

“Competition at its best!”

2017 Family · Drama · TV Movie 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

16-year-old Kelly quits an elite gymnastics program and moves to Australia. To help out a new friend and show up an old rival she re-enters competitive gymnastics, she'll have to find a way to move forward while making amends with her past.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Raising the Bar?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where the Red Fern Grows

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Where it lives

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Names above the title

The people responsible.

Directed by

Clay Glen

Written by

Clay Glen

Kelli Berglund

Kelli Berglund

Kelly Johnson

Emily Morris

Emily Morris

Ashley

C

Chris Koch

Teacher

Jordyn Wieber

Jordyn Wieber

Jordyn Wieber

David John Clark

David John Clark

Judge

P

Peta Shannon

Sarah Johnson

L

Lili Karamalikis

Nicola

Court is in session

Put Raising the Bar on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.