The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
The Devil Rides Out
Horror · 1968
The powers of good are pitted against the forces of evil as the Duc de Richelieu wrestles with the charming but deadly Satanist, Mocata, for the soul of his friend. Mocata has the knowledge and the power to summon the forces of darkness and, as the Duc de Richelieu and his friends remain within the protected pentacle, they are subjected to ever-increasing horror until thundering hooves herald the arrival of the Angel of Death.
Movie details
The Devil Rides Out
“The beauty of woman...The demon of darkness...The unholy of union.”
1968 Horror 1h 36m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.6 / 10
Community rating
The powers of good are pitted against the forces of evil as the Duc de Richelieu wrestles with the charming but deadly Satanist, Mocata, for the soul of his friend. Mocata has the knowledge and the power to summon the forces of darkness and, as the Duc de Richelieu and his friends remain within the protected pentacle, they are subjected to ever-increasing horror until thundering hooves herald the arrival of the Angel of Death.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Devil Rides Out?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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When Keira Woods' daughter mysteriously vanishes in the cellar of their new house in the country, she soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family's souls forever.
Dracula
Horror · 1931
A British estate agent travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a London castle. After Dracula enslaves the agent and drives him to insanity, the pair return to London together, where Dracula, a secret bloodsucker, begins preying on socialites.
The Mephisto Waltz
Horror · 1971
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Twice-Told Tales
Horror · 1963
3 horror stories based on the writings of Nathaniel Hawthorne. In the 1st story titled "Dr. Heidegger's Experiment", Heidegger attempts to restore the youth of three elderly friends. In "Rappaccini's Daughter", a demented father is inoculating his daughter with poison so she may never leave her garden of poisonous plants. In the final story "The House of the Seven Gables", The Pyncheon family suffers from a hundred year old curse and while in the midst of arguing over inheritance, a stranger arrives.
The Haunting Hour: Don't Think About It
Horror · 2007
Cassie, a 13 year old Gothic girl, is trying to fit in at her new school. To entertain herself, she plays a series of pranks on the popular kids and her younger brother, Max. When she goes to a Halloween store looking for new tricks, she finds a little book called "The Evil Thing"
The Asphyx
Fantasy · 1972
Hugo is a brilliant turn-of-the-century scientist, loved and respected by his family and friends, admired by his colleagues. But he is a man quickly becoming obsessed with a curious and frightening question...What is the mysterious apparition found in the photographs of his dying subjects?
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Names above the title
The people responsible.
Cast & crew
Directed by
Terence Fisher
Written by
Richard Matheson
Christopher Lee
Duc de Richleau
Leon Greene
Rex Van Ryn
Patrick Mower
Simon Aron
Niké Arrighi
Tanith Carlisle
Charles Gray
Mocata
Sarah Lawson
Marie Eaton
Paul Eddington
Richard Eaton
Court is in session
Put The Devil Rides Out on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.