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My Girl

My Girl

Comedy · Drama · 1991

Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just to impress him. Thomas J., her best friend, is "allergic to everything", and sticks with Vada despite her hangups. When Vada's father hires Shelly, and begins to fall for her, things take a turn to the worse...

Movie details

My Girl

“When your Dad's an undertaker, your Mom's in heaven, and your Grandma's got a screw loose...it's good to have a friend who understands you. Even if he is a boy.”

1991 Comedy · Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Vada Sultenfuss is obsessed with death. Her mother is dead, and her father runs a funeral parlor. She is also in love with her English teacher, and joins a poetry class over the summer just to impress him. Thomas J., her best friend, is "allergic to everything", and sticks with Vada despite her hangups. When Vada's father hires Shelly, and begins to fall for her, things take a turn to the worse...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Howard Zieff

Written by

Laurice Elehwany

Anna Chlumsky

Anna Chlumsky

Vada Sultenfuss

Macaulay Culkin

Macaulay Culkin

Thomas J. Sennett

Dan Aykroyd

Dan Aykroyd

Harry Sultenfuss

Jamie Lee Curtis

Jamie Lee Curtis

Shelly DeVoto

Richard Masur

Richard Masur

Phil Sultenfuss

Griffin Dunne

Griffin Dunne

Mr. Jake Bixler

Ann Nelson

Ann Nelson

Gramoo Sultenfuss

Court is in session

Put My Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.