The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Breezy
Drama · Romance · 1973
A free-spirited young woman, Breezy, hitches a ride with an aging real estate salesman, Frank. Sensing that she just wants to use him he tries to have nothing to do with her. She's not that easy to shake, however, and over time a bond forms between them.
Movie details
Breezy
“Her name is Breezy...and love was all they had in common.”
1973 Drama · Romance 1h 48m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
A free-spirited young woman, Breezy, hitches a ride with an aging real estate salesman, Frank. Sensing that she just wants to use him he tries to have nothing to do with her. She's not that easy to shake, however, and over time a bond forms between them.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Breezy?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
Ali & Ava
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Sparks fly after Ali and Ava meet through their shared affection for Sofia, the child of Ali’s tenants whom Ava teaches. Ali finds comfort in Ava’s warmth and kindness while Ava finds Ali’s complexity and humour irresistible. As the pair begin to form a deep connection they have to find a way to keep their newfound passion from being overshadowed by the stresses and struggles of their separate lives and histories.
Two for the Seesaw
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After leaving his wife, lawyer Jerry Ryan moves from Omaha, Nebraska to New York City to start a new life. While studying for the New York Bar Examination and working to finalize his divorce, Ryan meets dancer Gittel Mosca, and the two begin a cautious courtship. However, Ryan feels that he must come to terms with his failed marriage and overcome his lingering attachment to his ex-wife before he can redefine himself and embrace his budding romance.
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A spark on a Friday can lead to a sizzling weekend fling, but what happens when you get to the inevitable Monday?
Winter Spring Summer or Fall
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After We Collided
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The Piano
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The Invisible Woman
Drama · 2013
In 1857, at the height of his fame and fortune, novelist and social critic Charles Dickens meets and falls in love with teenage stage actress Nelly Ternan. As she becomes the focus of his heart and mind, as well as his muse, painful secrecy is the price both must pay.
Fire with Fire
Drama · 1986
A tough, street-smart kid serving a sentence in a state youth reformatory meets a beautiful, innocent girl studying at a nearby convent. When forbidden love blossoms between them, they must fight the prison authorities, their parents and the law.
Down in the Valley
Drama · 2005
On a trip to the beach, a teenage girl named Tobe meets a charismatic stranger named Harlan, who dresses like a cowboy and claims to be a former ranch hand. The pair feel an instant attraction and begin a relationship, but her father, a lawman, is suspicious of her lover.
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Names above the title
The people responsible.
Cast & crew
Directed by
Clint Eastwood
Written by
Jo Heims
William Holden
Frank Harmon
Kay Lenz
Breezy
Roger C. Carmel
Bob Henderson
M
Marj Dusay
Betty Tobin
Joan Hotchkis
Paula Harmon
Jamie Smith-Jackson
Marcy
Norman Bartold
Man in car
Court is in session
Put Breezy on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.