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White Palace

White Palace

Drama · Romance · 1990

Max Baron is a Jewish advertising executive in his 20s who's still getting over the death of his wife. Nora Baker is a 40-something diner waitress who enjoys the wilder side of life. Mismatched or not, their attraction is instant and smoldering. With time, however, their class and age differences become an obstacle in their relationship, especially since Max can't keep Nora a secret from his Jewish friends and upper-crust associates forever.

Movie details

White Palace

“The story of a younger man and a bolder woman.”

1990 Drama · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Max Baron is a Jewish advertising executive in his 20s who's still getting over the death of his wife. Nora Baker is a 40-something diner waitress who enjoys the wilder side of life. Mismatched or not, their attraction is instant and smoldering. With time, however, their class and age differences become an obstacle in their relationship, especially since Max can't keep Nora a secret from his Jewish friends and upper-crust associates forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over White Palace?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Luis Mandoki

Written by

Ted Tally · Alvin Sargent

Susan Sarandon

Susan Sarandon

Nora Baker

James Spader

James Spader

Max Baron

Kathy Bates

Kathy Bates

Rosemary

Jason Alexander

Jason Alexander

Neil

Eileen Brennan

Eileen Brennan

Judy

Steven Hill

Steven Hill

Sol Horowitz

Renée Taylor

Renée Taylor

Edith Baron

Court is in session

Put White Palace on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.