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Hester Street

Hester Street

Drama · Romance · 1975

A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.

Movie details

Hester Street

“Goodbye O Lord, I'm Going To America!”

1975 Drama · Romance 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hester Street?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Joan Micklin Silver

Written by

Joan Micklin Silver · Abraham Cahan

Steven Keats

Steven Keats

Jake

Carol Kane

Carol Kane

Gitl

M

Mel Howard

Bernstein

D

Dorrie Kavanaugh

Mamie

Doris Roberts

Doris Roberts

Mrs. Kavarsky

Stephen Strimpell

Stephen Strimpell

Joe Peltner

L

Lauren Friedman

Fanny

Court is in session

Put Hester Street on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.