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What if...

What if...

Romance · Family · Fantasy · 2010

Fifteen years ago, Ben Walker made a decision to leave his college sweetheart and ultimately his faith, in order to pursue a lucrative business opportunity. Now with a high-paying career and a trophy fiancé, he is visited by an angel, who gives him a glimpse into what his life would look like had he followed his calling.

Movie details

What if...

“What if God gave you a second chance?”

2010 Romance · Family · Fantasy 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Fifteen years ago, Ben Walker made a decision to leave his college sweetheart and ultimately his faith, in order to pursue a lucrative business opportunity. Now with a high-paying career and a trophy fiancé, he is visited by an angel, who gives him a glimpse into what his life would look like had he followed his calling.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over What if...?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Departure

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The Shack

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Names above the title

The people responsible.

Directed by

Dallas Jenkins

Written by

Cary Solomon · Chuck Konzelman · Andrea Gyertson Nasfell

Kevin Sorbo

Kevin Sorbo

Ben Walker

Kristy Swanson

Kristy Swanson

Wendy Walker

John Ratzenberger

John Ratzenberger

Mike the Angel

Debby Ryan

Debby Ryan

Kimberly Walker

Kristin Minter

Kristin Minter

Cynthia

Toni Trucks

Toni Trucks

Claire

T

Taylor Groothuis

Megan Walker

Court is in session

Put What if... on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.