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The Horse's Mouth

The Horse's Mouth

Comedy · 1958

Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.

Movie details

The Horse's Mouth

“Smart Alec ... Sheer madness and all Guinness! The man's a genius ...”

1958 Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Horse's Mouth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ronald Neame

Written by

Alec Guinness

Alec Guinness

Alec Guinness

Gulley Jimson

Kay Walsh

Kay Walsh

Dee Coker

Renée Houston

Renée Houston

Sara Monday

M

Mike Morgan

Nosey

Robert Coote

Robert Coote

Sir William Beeder

Michael Gough

Michael Gough

Abel

V

Veronica Turleigh

Lday Beeder

Court is in session

Put The Horse's Mouth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Cool Ironist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.