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The Royal Exchange

The Royal Exchange

History · Drama · 2017

After many years of confrontation, the treasures of Spain and France are empty. In 1721, the regent of France draws up an ambitious plan to inaugurate an era of peace and prosperity that will heal the economies of both nations: his intention is to build a solid network of marriage alliances that will involve four children of very different ages who know nothing of betrayals and power games…

Movie details

The Royal Exchange

“Marriages, betrayals and power games”

2017 History · Drama 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

After many years of confrontation, the treasures of Spain and France are empty. In 1721, the regent of France draws up an ambitious plan to inaugurate an era of peace and prosperity that will heal the economies of both nations: his intention is to build a solid network of marriage alliances that will involve four children of very different ages who know nothing of betrayals and power games…

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Royal Exchange?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

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Names above the title

The people responsible.

Directed by

Marc Dugain

Written by

Chantal Thomas · Marc Dugain

Lambert Wilson

Lambert Wilson

Philip V

Anamaria Vartolomei

Anamaria Vartolomei

Louise Elisabeth

Olivier Gourmet

Olivier Gourmet

Regent Philippe d'Orléans

Catherine Mouchet

Catherine Mouchet

Madame de Ventadour

Kacey Mottet Klein

Kacey Mottet Klein

Don Luis

Igor van Dessel

Igor van Dessel

Louis XV

Juliane Lepoureau

Juliane Lepoureau

Marie Victoire

Court is in session

Put The Royal Exchange on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.