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Les Misérables

Les Misérables

Drama · History · 1982

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Movie details

Les Misérables

1982 Drama · History 3h 40m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Les Misérables?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Les Miserables

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De Gaulle: Liberté

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Raf and Julie, a couple on the verge of breaking up, find themselves in an emergency ward bordering on collapse on the evening of a Parisian Yellow Vest protest. Their encounter with Yann, an angry and injured demonstrator, will shatter each person's certainties and prejudices. Outside, the tension escalates.

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Names above the title

The people responsible.

Directed by

Robert Hossein

Written by

Robert Hossein · Alain Decaux

Lino Ventura

Lino Ventura

Jean Valjean / Mr. Madeleine / Champmathieu

Michel Bouquet

Michel Bouquet

Inspector Javert

Jean Carmet

Jean Carmet

Thénardier, innkeeper of Montfermeil

Évelyne Bouix

Évelyne Bouix

Fantine, Cosette's mother

Françoise Seigner

Françoise Seigner

The Thénardier, innkeeper's wife

Christiane Jean

Christiane Jean

Cosette

Roger Hanin

Roger Hanin

Innkeeper

Court is in session

Put Les Misérables on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.