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The Winning Season

The Winning Season

Comedy · Drama · 2009

A comedy centered on a has-been coach who is given a shot at redemption when he's asked to run his local high school's girls basketball team

Movie details

The Winning Season

“It took a bunch of girls to make him man up.”

2009 Comedy · Drama 1h 59m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A comedy centered on a has-been coach who is given a shot at redemption when he's asked to run his local high school's girls basketball team

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Winning Season?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Goon

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Big Fan

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Comedy · 2009

Paul Aufiero, a 35-year-old parking-garage attendant from Staten Island, is the self-described "world's biggest New York Giants fan". One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop at a gas station and decide to follow him. At a strip club Paul cautiously decides to approach him but the chance encounter brings Paul's world crashing down around him.

Where it lives

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Names above the title

The people responsible.

Directed by

Jim Strouse

Written by

Jim Strouse

Sam Rockwell

Sam Rockwell

Bill

Emma Roberts

Emma Roberts

Abby

Rob Corddry

Rob Corddry

Terry

Emily Rios

Emily Rios

Kathy

Rooney Mara

Rooney Mara

Wendy

Jessica Hecht

Jessica Hecht

Stacey

Connor Paolo

Connor Paolo

Damon

Court is in session

Put The Winning Season on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.