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Rango

Rango

Animation · Comedy · Family · 2011

When Rango, a lost family pet, accidentally winds up in the gritty, gun-slinging Western town of Dirt, the theater-loving lizard suddenly finds himself the newly appointed sheriff. Welcomed as the last hope the town has been waiting for, Rango is forced to play his new role to the hilt and uncover the truth behind a looming water crisis—before his act catches up with him.

Movie details

Rango

“No man can walk out on his own story.”

2011 Animation · Comedy · Family 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

When Rango, a lost family pet, accidentally winds up in the gritty, gun-slinging Western town of Dirt, the theater-loving lizard suddenly finds himself the newly appointed sheriff. Welcomed as the last hope the town has been waiting for, Rango is forced to play his new role to the hilt and uncover the truth behind a looming water crisis—before his act catches up with him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rango?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Gore Verbinski

Written by

James Ward Byrkit · Gore Verbinski · John Logan

Johnny Depp

Johnny Depp

Rango / Lars (voice)

Isla Fisher

Isla Fisher

Beans (voice)

Ned Beatty

Ned Beatty

Mayor (voice)

Bill Nighy

Bill Nighy

Rattlesnake Jake (voice)

Abigail Breslin

Abigail Breslin

Priscilla (voice)

Alfred Molina

Alfred Molina

Roadkill (voice)

Stephen Root

Stephen Root

Doc / Merrimack / Mr. Snuggles (voice)

Court is in session

Put Rango on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.