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Gnomeo & Juliet

Gnomeo & Juliet

Animation · Family · 2011

A version of Shakespeare's play, set in the world of warring indoor and outdoor gnomes. Garden gnomes Gnomeo and Juliet have as many obstacles to overcome as their quasi namesakes when they are caught up in a feud between neighbors. But with plastic pink flamingos and lawnmower races in the mix, can this young couple find lasting happiness?

Movie details

Gnomeo & Juliet

“The greatest love story you have never gnome.”

2011 Animation · Family 1h 24m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A version of Shakespeare's play, set in the world of warring indoor and outdoor gnomes. Garden gnomes Gnomeo and Juliet have as many obstacles to overcome as their quasi namesakes when they are caught up in a feud between neighbors. But with plastic pink flamingos and lawnmower races in the mix, can this young couple find lasting happiness?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gnomeo & Juliet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Revolting Rhymes

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Names above the title

The people responsible.

Directed by

Kelly Asbury

Written by

Rob Sprackling · Johnny Smith · Emily Cook · Kelly Asbury

James McAvoy

James McAvoy

Gnomeo (voice)

Emily Blunt

Emily Blunt

Juliet (voice)

Michael Caine

Michael Caine

Lord Redbrick (voice)

Maggie Smith

Maggie Smith

Lady Bluebury (voice)

Julie Walters

Julie Walters

Miss Montague (voice)

Jim Cummings

Jim Cummings

Featherstone (voice)

Jason Statham

Jason Statham

Tybalt (voice)

Court is in session

Put Gnomeo & Juliet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.