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A Christmas Carol

A Christmas Carol

Animation · Family · Fantasy · 1997

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

Movie details

A Christmas Carol

“One of the best-loved holiday stories of all time.”

1997 Animation · Family · Fantasy 1h 12m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Christmas Carol?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Stan Phillips

Tim Curry

Tim Curry

Ebenezer Scrooge (voice)

Whoopi Goldberg

Whoopi Goldberg

Spirit of Christmas Present (voice)

Michael York

Michael York

Bob Cratchit (voice)

Ed Asner

Ed Asner

Marley (voice)

Frank Welker

Frank Welker

Debit (voice)

Kath Soucie

Kath Soucie

Ghost of Christmas Past / Mrs. Cratchit / Fan (voice)

Jodi Benson

Jodi Benson

Belle (voice)

Court is in session

Put A Christmas Carol on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.