The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Bunnyman Vengeance
Horror · 2017
The man known as Bunnyman returns home to find his family running a haunted house attraction. The family welcomes him home, but soon realizes you cannot domesticate a wild animal. Death and mayhem ensue as the family turn on one another to fulfill their bloodlust.
Movie details
Bunnyman Vengeance
“Nothing will stop him.”
2017 Horror 1h 48m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
The man known as Bunnyman returns home to find his family running a haunted house attraction. The family welcomes him home, but soon realizes you cannot domesticate a wild animal. Death and mayhem ensue as the family turn on one another to fulfill their bloodlust.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Bunnyman Vengeance?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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The Evil Dead
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The Texas Chain Saw Massacre
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The Dogs
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Names above the title
The people responsible.
Cast & crew
Directed by
Carl Lindbergh
Written by
Carl Lindbergh
Olivia Stiefel
Lauren
Debby Gerber
Lisa
Toby Marks
Rachel
Boriana Williams
Emily
Diana Prince
Lisa
Bradley Bundlie
Scared Boy
Jake Ryan Scott
Jason
Court is in session
Put Bunnyman Vengeance on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.