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Runaway Romance

Runaway Romance

Romance · TV Movie · 2018

When she’s written out of her show, her relationship and her seemingly perfect life, reality TV star Ann Stanway leaves Hollywood and finds herself marooned in Amish country. But when Ann is taken in by the owner of a nearby Inn, and meets a handsome young architect, she discovers that the reality she left isn’t nearly as perfect as the one she’s found.

Movie details

Runaway Romance

“Can a runaway, famous reality star find love in the most unexpected places?”

2018 Romance · TV Movie 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

When she’s written out of her show, her relationship and her seemingly perfect life, reality TV star Ann Stanway leaves Hollywood and finds herself marooned in Amish country. But when Ann is taken in by the owner of a nearby Inn, and meets a handsome young architect, she discovers that the reality she left isn’t nearly as perfect as the one she’s found.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Runaway Romance?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Brian Herzlinger

Written by

Miralee Ferrell · Emily Golden · John-Eliot Jordan

Trevor Donovan

Trevor Donovan

Hunter

Danielle Chuchran

Danielle Chuchran

Ann

Tatum O'Neal

Tatum O'Neal

Veronica

Beau Davidson

Beau Davidson

Scott

Galadriel Stineman

Galadriel Stineman

Sarah

Drew Cash

Drew Cash

Jimmy

Ken Strunk

Ken Strunk

Abraham Troyer

Court is in session

Put Runaway Romance on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.