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Prom

Prom

Comedy · Romance · 2011

At “Prom,” every couple has a story and no two are exactly alike. As the big dance approaches for Nova Prescott, it’s a battle of wills as she finds herself drawn to the guy who gets in the way of her perfect prom. Fellow seniors Mei and Tyler harbor secrets, while others face all the insecurity and anticipation that surrounds one of high school’s most seminal events.

Movie details

Prom

“There are hundreds of nights in high school, but there’s only one prom.”

2011 Comedy · Romance 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

At “Prom,” every couple has a story and no two are exactly alike. As the big dance approaches for Nova Prescott, it’s a battle of wills as she finds herself drawn to the guy who gets in the way of her perfect prom. Fellow seniors Mei and Tyler harbor secrets, while others face all the insecurity and anticipation that surrounds one of high school’s most seminal events.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Prom?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Joe Nussbaum

Written by

Katie Wech

Aimee Teegarden

Aimee Teegarden

Nova Prescott

Thomas McDonell

Thomas McDonell

Jesse Richter

N

Nolan Sotillo

Lucas Aman

Cameron Monaghan

Cameron Monaghan

Corey Doyle

Danielle Campbell

Danielle Campbell

Simone Daniels

DeVaughn Nixon

DeVaughn Nixon

Tyler Barso

Kylie Bunbury

Kylie Bunbury

Jordan Lundley

Court is in session

Put Prom on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.