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I Married a Strange Person!

I Married a Strange Person!

Comedy · Animation · Fantasy · 1998

On their wedding night, Grant begins experiencing strange, supernatural powers and his bride Keri can't cope. Whenever Grant thinks of something, it becomes reality, yet he doesn't know where this magic came from. Things become more complicated when a megalomaniac CEO sends the military to capture Grant in order to weaponize his abilities.

Movie details

I Married a Strange Person!

“The honeymoon is definitely over!”

1998 Comedy · Animation · Fantasy 1h 12m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

On their wedding night, Grant begins experiencing strange, supernatural powers and his bride Keri can't cope. Whenever Grant thinks of something, it becomes reality, yet he doesn't know where this magic came from. Things become more complicated when a megalomaniac CEO sends the military to capture Grant in order to weaponize his abilities.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Married a Strange Person!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Bill Plympton

Written by

P.C. Vey · Bill Plympton

T

Tom Larson

Grant Boyer (voice)

C

Charis Michelsen

Keri Boyer (voice)

Richard Spore

Richard Spore

Larson P. Giles (voice)

Chris Cooke

Chris Cooke

Col. Ferguson (voice)

R

Ruth Ray

Mom (voice)

J

J.B. Adams

Dad (voice)

J

John Russo Jr.

Bud Sweeny (voice)

Court is in session

Put I Married a Strange Person! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.