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Blackmail

Blackmail

Drama · Thriller · Crime · 1929

London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.

Movie details

Blackmail

“A romance of Scotland Yard”

1929 Drama · Thriller · Crime 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blackmail?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alfred Hitchcock

Written by

Alfred Hitchcock · Michael Powell

Anny Ondra

Anny Ondra

Alice White

Sara Allgood

Sara Allgood

Mrs. White

Charles Paton

Charles Paton

Mr. White

John Longden

John Longden

Detective Frank Webber

Donald Calthrop

Donald Calthrop

Tracy

Cyril Ritchard

Cyril Ritchard

The Artist

Hannah Jones

Hannah Jones

The Landlady

Court is in session

Put Blackmail on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.