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Tokyo Ghoul 'S'

Tokyo Ghoul 'S'

Action · Horror · Science Fiction · 2019

Now a member of Anteiku, Ken Kaneki grows closer to the ghouls around him. Determined to protect his new home against anti-ghoul forces, he trains his powers in secret. But when the infamous gourmet, Shū Tsukiyama, wishes to savour some half-ghoul flavour, Kaneki's training is put to test of a lifetime.

Movie details

Tokyo Ghoul 'S'

“To eat or to be eaten”

2019 Action · Horror · Science Fiction 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Now a member of Anteiku, Ken Kaneki grows closer to the ghouls around him. Determined to protect his new home against anti-ghoul forces, he trains his powers in secret. But when the infamous gourmet, Shū Tsukiyama, wishes to savour some half-ghoul flavour, Kaneki's training is put to test of a lifetime.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tokyo Ghoul 'S'?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Takuya Kawasaki · Kazuhiko Hiramaki

Written by

Chuji Mikasano

Masataka Kubota

Masataka Kubota

Ken Kaneki

Shota Matsuda

Shota Matsuda

Shū Tsukiyama

Maika Yamamoto

Maika Yamamoto

Toka Kirishima

Shunya Shiraishi

Shunya Shiraishi

Nishiki Nishio

Kai Ogasawara

Kai Ogasawara

Hideyoshi Nagachika

Hiyori Sakurada

Hiyori Sakurada

Hinami Fueguchi

Nobuyuki Suzuki

Nobuyuki Suzuki

Kotaro Amon

Court is in session

Put Tokyo Ghoul 'S' on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.