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Kabaneri of the Iron Fortress: The Battle of Unato

Kabaneri of the Iron Fortress: The Battle of Unato

Animation · Drama · Action · 2019

In the midst of an industrial revolution, the people of Hinomoto fight hordes of undead creatures, known as Kabane, using powerful armored trains. Half a year after the events of the original TV series, the heroes of the Iron Fortress attempt to take back Unato Castle.

Movie details

Kabaneri of the Iron Fortress: The Battle of Unato

2019 Animation · Drama · Action 1h 22m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In the midst of an industrial revolution, the people of Hinomoto fight hordes of undead creatures, known as Kabane, using powerful armored trains. Half a year after the events of the original TV series, the heroes of the Iron Fortress attempt to take back Unato Castle.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kabaneri of the Iron Fortress: The Battle of Unato?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tetsuro Araki

Written by

Tetsuro Araki

Tasuku Hatanaka

Tasuku Hatanaka

Ikoma (voice)

Sayaka Senbongi

Sayaka Senbongi

Mumei (voice)

Maaya Uchida

Maaya Uchida

Yomogawa Ayame (voice)

Toshiki Masuda

Toshiki Masuda

Kurusu (voice)

Kanae Oki

Kanae Oki

Kajika (voice)

Kensuke Sato

Kensuke Sato

Kibito (voice)

Ryota Osaka

Ryota Osaka

Sukari (voice)

Court is in session

Put Kabaneri of the Iron Fortress: The Battle of Unato on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.