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Queens of The Field

Queens of The Field

Comedy · 2020

After its football team is disqualified for insulting a referee during a major game, a small country town risks losing its funding along with its field. To avoid this disaster, there is only one solution: creating a new team made up exclusively of women to defend the city’s colors! But in a community where football has always been an activity reserved for men, these women’s new status will be sure to shake up the daily lives of the town’s residents…

Movie details

Queens of The Field

2020 Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

After its football team is disqualified for insulting a referee during a major game, a small country town risks losing its funding along with its field. To avoid this disaster, there is only one solution: creating a new team made up exclusively of women to defend the city’s colors! But in a community where football has always been an activity reserved for men, these women’s new status will be sure to shake up the daily lives of the town’s residents…

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Queens of The Field?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Women on the 6th Floor

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Names above the title

The people responsible.

Directed by

Mohamed Hamidi

Written by

Alain-Michel Blanc · Camille Fontaine · Mohamed Hamidi

Kad Merad

Kad Merad

Marco

Alban Ivanov

Alban Ivanov

Mimil

Céline Sallette

Céline Sallette

Stéphanie

Sabrina Ouazani

Sabrina Ouazani

Sandra

Laure Calamy

Laure Calamy

Catherine Guerin

Guillaume Gouix

Guillaume Gouix

Franck

Myra Tyliann

Myra Tyliann

Léa

Court is in session

Put Queens of The Field on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.