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Le Combat dans l'île

Le Combat dans l'île

Drama · Romance · Thriller · 1962

The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

Movie details

Le Combat dans l'île

1962 Drama · Romance · Thriller 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

The charismatic, surly son of a wealthy industrialist, Clément, leads a double life as a member of a right-wing extremist organization. When he’s ratted out after a failed assassination attempt on a prominent politician, Clément and his long-suffering wife Anne flee Paris to the idyllic country home of his childhood friend, pacifist print-maker Paul. As affection blossoms between Paul and Anne, the emotional, as well as political tensions, soar and eventually explode.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Le Combat dans l'île?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Alain Cavalier

Written by

Jean-Paul Rappeneau · Alain Cavalier

Romy Schneider

Romy Schneider

Anne

Jean-Louis Trintignant

Jean-Louis Trintignant

Clément Lesser

Henri Serre

Henri Serre

Paul

Diane Lepvrier

Diane Lepvrier

Cécile

Maurice Garrel

Maurice Garrel

Terrasse

Marcel Cuvelier

Marcel Cuvelier

Cast

R

Robert Bousquet

Lucien

Court is in session

Put Le Combat dans l'île on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.