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Heads or Tails

Heads or Tails

Drama · Crime · Thriller · 1980

Since his wife died, Inspector Louis Baroni (Philippe Noiret) has become a virtual recluse, preferring the solitude of his quiet house to the company of others. His period of mournful contemplation is broken when he is called out to look into the suspicious death of Madame Morlaix who, according to her husband Edouard (Michel Serrault), fell from an upstairs window. Curious to find out more, Baroni begins his inquiry.

Movie details

Heads or Tails

1980 Drama · Crime · Thriller 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Since his wife died, Inspector Louis Baroni (Philippe Noiret) has become a virtual recluse, preferring the solitude of his quiet house to the company of others. His period of mournful contemplation is broken when he is called out to look into the suspicious death of Madame Morlaix who, according to her husband Edouard (Michel Serrault), fell from an upstairs window. Curious to find out more, Baroni begins his inquiry.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Heads or Tails?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Enrico

Written by

Michel Audiard

Philippe Noiret

Philippe Noiret

Inspecteur Louis Baroni

Michel Serrault

Michel Serrault

Édouard Morlaix

Dorothée

Dorothée

Laurence Bertil

Pierre Arditi

Pierre Arditi

Pierre Larrieu

Bernard Le Coq

Bernard Le Coq

Phillipe

Gaëlle Legrand

Gaëlle Legrand

Zepp

G

Guilhaine Dubos

Michèle, la fille de Baroni

Court is in session

Put Heads or Tails on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.