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Beauty and the Beast

Beauty and the Beast

Drama · Fantasy · Romance · 1946

The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.

Movie details

Beauty and the Beast

“Once upon a time…”

1946 Drama · Fantasy · Romance 1h 36m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Beauty and the Beast?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jean Cocteau

Written by

Jean Cocteau

Jean Marais

Jean Marais

La Bête / Le Prince / Avenant

Josette Day

Josette Day

Belle

Marcel André

Marcel André

Belle's Father

Mila Parély

Mila Parély

Félicie

Nane Germon

Nane Germon

Adélaïde

Michel Auclair

Michel Auclair

Ludovic

Raoul Marco

Raoul Marco

The Insurer

Court is in session

Put Beauty and the Beast on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.