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The Silent One

The Silent One

Drama · Thriller · 1973

Who is Anton Haliakov, who has just been abducted by the M.I.5 in London? A Soviet scientist apparently. But sixteen years before the man had another identity, Clément Tibère, and another nationality, French. So what led him to become Russian and to change identity? And why are the British secret services interested in him?

Movie details

The Silent One

“Hitchcock himself is finally rivalled.”

1973 Drama · Thriller 1h 57m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Who is Anton Haliakov, who has just been abducted by the M.I.5 in London? A Soviet scientist apparently. But sixteen years before the man had another identity, Clément Tibère, and another nationality, French. So what led him to become Russian and to change identity? And why are the British secret services interested in him?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Silent One?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Pinoteau

Written by

Claude Pinoteau · Jean-Loup Dabadie

Lino Ventura

Lino Ventura

Clément Tibère

Leo Genn

Leo Genn

Chief of M.I.5

Suzanne Flon

Suzanne Flon

Jeanne

Robert Hardy

Robert Hardy

Assistant

Lea Massari

Lea Massari

Maria

Roger Crouzet

Roger Crouzet

Agent of the D.S.T.

Lucienne Legrand

Lucienne Legrand

Bookseller

Court is in session

Put The Silent One on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.