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The Big Hit

The Big Hit

Comedy · Drama · 2020

Etienne, an often out of work but endearing actor, runs a theater workshop in a prison, where he brings together an unlikely troupe of prisoners to stage Samuel Beckett’s famous play Waiting for Godot. When he is allowed to take the colorful band of convicts on a tour outside of prison, Etienne finally has the chance to thrive.

Movie details

The Big Hit

2020 Comedy · Drama 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Etienne, an often out of work but endearing actor, runs a theater workshop in a prison, where he brings together an unlikely troupe of prisoners to stage Samuel Beckett’s famous play Waiting for Godot. When he is allowed to take the colorful band of convicts on a tour outside of prison, Etienne finally has the chance to thrive.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Big Hit?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Emmanuel Courcol

Written by

Thierry de Carbonnières · Emmanuel Courcol

Kad Merad

Kad Merad

Étienne Carboni

Marina Hands

Marina Hands

Ariane

Laurent Stocker

Laurent Stocker

Stéphane

Pierre Lottin

Pierre Lottin

Jordan Fortineau

Wabinlé Nabié

Wabinlé Nabié

Moussa Traoré

Aleksandr Medvedev

Aleksandr Medvedev

Boïko

Saïd Benchnafa

Saïd Benchnafa

Nabil Jouhari

Court is in session

Put The Big Hit on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.