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Mars Attacks!

Mars Attacks!

Comedy · Fantasy · Science Fiction · 1996

A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.

Movie details

Mars Attacks!

“Nice planet. We'll take it!”

1996 Comedy · Fantasy · Science Fiction 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mars Attacks!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tim Burton

Written by

Jonathan Gems

Jack Nicholson

Jack Nicholson

President Dale / Art Land

Glenn Close

Glenn Close

Marsha Dale

Annette Bening

Annette Bening

Barbara Land

Pierce Brosnan

Pierce Brosnan

Donald Kessler

Danny DeVito

Danny DeVito

Rude Gambler

Martin Short

Martin Short

Jerry Ross

Sarah Jessica Parker

Sarah Jessica Parker

Nathalie Lake

Court is in session

Put Mars Attacks! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.