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12 Years a Slave

12 Years a Slave

Drama · History · 2013

In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

Movie details

12 Years a Slave

“The extraordinary true story of Solomon Northup.”

2013 Drama · History 2h 14m

Critical arithmetic

One number, for now.

TMDB

7.9 / 10

Community rating

In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 12 Years a Slave?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Steve McQueen

Written by

John Ridley

Chiwetel Ejiofor

Chiwetel Ejiofor

Solomon Northup

Michael Fassbender

Michael Fassbender

Edwin Epps

Lupita Nyong'o

Lupita Nyong'o

Patsey

Benedict Cumberbatch

Benedict Cumberbatch

William Ford

Paul Dano

Paul Dano

John Tibeats

Sarah Paulson

Sarah Paulson

Mary Epps

Adepero Oduye

Adepero Oduye

Eliza

Court is in session

Put 12 Years a Slave on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.