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A Fairy Tale After All

A Fairy Tale After All

Fantasy · Adventure · Family · 2022

A stubborn teenage girl finds herself confronted by whimsical characters when she is transported into a world of fantasy and fairy tales while attending a school marionette show.

Movie details

A Fairy Tale After All

“An adventure beyond your imagination.”

2022 Fantasy · Adventure · Family 1h 12m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A stubborn teenage girl finds herself confronted by whimsical characters when she is transported into a world of fantasy and fairy tales while attending a school marionette show.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Fairy Tale After All?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Inkheart

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A young girl discovers a secret map to the dreamworld of Slumberland, and with the help of an eccentric outlaw, she traverses dreams and flees nightmares, with the hope that she will be able to see her late father again.

Where it lives

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Names above the title

The people responsible.

Directed by

Erik Peter Carlson

Written by

Erik Peter Carlson

Emily Shenaut

Emily Shenaut

Sky / Princess Geneva

Brian Hull

Brian Hull

Thumpkin (voice)

B

Bridget Winder

Madame Mizrabel

T

Timothy N. Kopacz

Cornelis

Lucie Jones

Lucie Jones

Handmaiden

Anna Brisbin

Anna Brisbin

Gargantuan Squabby (voice)

Gabriel Burrafato

Gabriel Burrafato

The King

Court is in session

Put A Fairy Tale After All on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.