The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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The History of Sound
Drama · Romance · Music · 2025
In 1917, two young music students attending the Boston Conservatory bond over a mutual love of folk music. They reconnect a few years later, embarking on a song-collecting trip in the backwaters of Maine.
Movie details
The History of Sound
2025 Drama · Romance · Music 2h 8m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.0 / 10
Community rating
In 1917, two young music students attending the Boston Conservatory bond over a mutual love of folk music. They reconnect a few years later, embarking on a song-collecting trip in the backwaters of Maine.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The History of Sound?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Oliver Hermanus
Written by
Ben Shattuck
Paul Mescal
Lionel Worthing
Josh O'Connor
David White
Chris Cooper
Older Lionel
Molly Price
Lionel's Mother
Raphael Sbarge
Lionel's Father
Hadley Robinson
Belle Sinclair
Michael Schantz
Bob Sinclair
Court is in session
Put The History of Sound on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.