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Fruits Basket -prelude-

Fruits Basket -prelude-

Animation · Drama · Romance · 2022

Kyoko, who couldn't believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It's a punishment that I've been doing as much as I like. Katsuya appears in front of Kyoko who thinks so...

Movie details

Fruits Basket -prelude-

2022 Animation · Drama · Romance 1h 28m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Kyoko, who couldn't believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It's a punishment that I've been doing as much as I like. Katsuya appears in front of Kyoko who thinks so...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fruits Basket -prelude-?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Yoshihide Ibata

Written by

Taku Kishimoto

Miyuki Sawashiro

Miyuki Sawashiro

Kyoko Honda (voice)

Yoshimasa Hosoya

Yoshimasa Hosoya

Katsuya Honda (voice)

Manaka Iwami

Manaka Iwami

Tohru Honda (voice)

Nobunaga Shimazaki

Nobunaga Shimazaki

Yuki Souma (voice)

Yuma Uchida

Yuma Uchida

Kyou Souma (voice)

Uoken

Uoken

Katsuya's Father (voice)

Maaya Sakamoto

Maaya Sakamoto

Akito Soma (voice)

Court is in session

Put Fruits Basket -prelude- on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.