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The Jazz Singer

The Jazz Singer

Drama · Music · 1927

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

Movie details

The Jazz Singer

“Hear him sing Mammy, Toot Toot Tootsie, My Gal Sal, Mother I Still Have You.”

1927 Drama · Music 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Jazz Singer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alan Crosland

Written by

Alfred A. Cohn

Al Jolson

Al Jolson

Jakie Rabinowitz

May McAvoy

May McAvoy

Mary Dale

Warner Oland

Warner Oland

Cantor Rabinowitz

Eugenie Besserer

Eugenie Besserer

Sara Rabinowitz

Otto Lederer

Otto Lederer

Moisha Yudelson

Robert Gordon

Robert Gordon

Young Jakie Rabinowitz

Richard Tucker

Richard Tucker

Harry Lee

Court is in session

Put The Jazz Singer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.