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Twins

Twins

Comedy · 1988

Julius and Vincent Benedict are the results of an experiment that would allow for the perfect child. Julius was planned and grows to athletic proportions. Vincent is an accident and is somewhat smaller in stature. Vincent is placed in an orphanage while Julius is taken to a south seas island and raised by philosophers. Vincent becomes the ultimate low life and is about to be killed by loan sharks.

Movie details

Twins

“Only their mother can tell them apart.”

1988 Comedy 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Julius and Vincent Benedict are the results of an experiment that would allow for the perfect child. Julius was planned and grows to athletic proportions. Vincent is an accident and is somewhat smaller in stature. Vincent is placed in an orphanage while Julius is taken to a south seas island and raised by philosophers. Vincent becomes the ultimate low life and is about to be killed by loan sharks.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Twins?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ivan Reitman

Written by

William Davies · William Osborne · Timothy Harris · Herschel Weingrod

Arnold Schwarzenegger

Arnold Schwarzenegger

Julius Benedict

Danny DeVito

Danny DeVito

Vincent Benedict

Kelly Preston

Kelly Preston

Marnie Mason

Chloe Webb

Chloe Webb

Linda Mason

Bonnie Bartlett

Bonnie Bartlett

Mary Ann Benedict

Marshall Bell

Marshall Bell

Webster

Trey Wilson

Trey Wilson

Beetroot McKinley

Court is in session

Put Twins on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.