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The Lost City

The Lost City

Drama · Romance · History · 2005

In Havana, Cuba in the late 1950's, a wealthy family, one of whose sons is a prominent nightclub owner, is caught in the violent transition from the oppressive regime of Batista to the Marxist government of Fidel Castro. Castro's regime ultimately leads the nightclub owner to flee to New York.

Movie details

The Lost City

“A place you leave is a place that lives forever.”

2005 Drama · Romance · History 2h 24m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In Havana, Cuba in the late 1950's, a wealthy family, one of whose sons is a prominent nightclub owner, is caught in the violent transition from the oppressive regime of Batista to the Marxist government of Fidel Castro. Castro's regime ultimately leads the nightclub owner to flee to New York.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Lost City?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Anna Karenina

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Adventures of a Mathematician

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Names above the title

The people responsible.

Directed by

Andy Garcia

Written by

Guillermo Cabrera Infante

Andy Garcia

Andy Garcia

Fico Fellove

Richard Bradford

Richard Bradford

Don Donoso Fellove

Nestor Carbonell

Nestor Carbonell

Luis Fellove

Enrique Murciano

Enrique Murciano

Ricardo Fellove

Dominik Garcia

Dominik Garcia

Mercedes Fellove

Dustin Hoffman

Dustin Hoffman

Meyer Lansky

Bill Murray

Bill Murray

The Writer

Court is in session

Put The Lost City on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.