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For Richer or Poorer

For Richer or Poorer

Comedy · Romance · 1997

Brad Sexton and his wife, Caroline, are wealthy New Yorkers with both marital and financial problems. The latter issue becomes a pressing matter when they discover that their accountant has embezzled millions and pinned the blame on them. Forced to go on the lam, Brad and Caroline end up in an Amish area of Pennsylvania and decide to pose as members of the religious group to evade the IRS. As the two adapt to the simple Amish lifestyle, they begin to reconnect.

Movie details

For Richer or Poorer

1997 Comedy · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Brad Sexton and his wife, Caroline, are wealthy New Yorkers with both marital and financial problems. The latter issue becomes a pressing matter when they discover that their accountant has embezzled millions and pinned the blame on them. Forced to go on the lam, Brad and Caroline end up in an Amish area of Pennsylvania and decide to pose as members of the religious group to evade the IRS. As the two adapt to the simple Amish lifestyle, they begin to reconnect.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over For Richer or Poorer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bryan Spicer

Written by

Jana Howington · Steve LuKanic

Tim Allen

Tim Allen

Brad Sexton

Kirstie Alley

Kirstie Alley

Caroline Sexton

Jay O. Sanders

Jay O. Sanders

Samuel Yoder

Michael Lerner

Michael Lerner

Phil Kleinman

Wayne Knight

Wayne Knight

Bob Lachman

Larry Miller

Larry Miller

Derek Lester

Miguel A. Núñez Jr.

Miguel A. Núñez Jr.

Frank Hall

Court is in session

Put For Richer or Poorer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.