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Duplicity

Duplicity

Romance · Comedy · Crime · 2009

Two romantically involved government operatives Claire Stenwick and Ray Koval team up to manipulate a race between opposing corporations to corner the market on a medical innovation that will reap huge profits and allow them to lead an extravagant lifestyle together. They find themselves on opposing sides as corporate spies; however, as they each try to outdo the other, neither one can decide how far to trust the other in this high-stakes game of cat-and-mouse.

Movie details

Duplicity

“She's ex-CIA. He's ex-MI6. Together they're stealing a fortune.”

2009 Romance · Comedy · Crime 2h 5m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Two romantically involved government operatives Claire Stenwick and Ray Koval team up to manipulate a race between opposing corporations to corner the market on a medical innovation that will reap huge profits and allow them to lead an extravagant lifestyle together. They find themselves on opposing sides as corporate spies; however, as they each try to outdo the other, neither one can decide how far to trust the other in this high-stakes game of cat-and-mouse.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Duplicity?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tony Gilroy

Written by

Tony Gilroy

Julia Roberts

Julia Roberts

Claire Stenwick

Clive Owen

Clive Owen

Ray Koval

Tom Wilkinson

Tom Wilkinson

Howard Tully

Paul Giamatti

Paul Giamatti

Richard Garsik

Tom McCarthy

Tom McCarthy

Jeff Bauer

Denis O'Hare

Denis O'Hare

Duke Monahan

Kathleen Chalfant

Kathleen Chalfant

Pam Frailes

Court is in session

Put Duplicity on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.