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Comme t'y es belle !

Comme t'y es belle !

Comedy · 2006

Isa, Alice, Léa and Nina, linked by their Sephardic families as much as by their friendship, share their lives between love affairs, a beauty institute under fiscal control, children to raise, an undocumented Moroccan nanny to marry, repeated diets, family and religious holidays to honor, but before being beautiful, their biggest challenge is to be themselves.

Movie details

Comme t'y es belle !

2006 Comedy 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Isa, Alice, Léa and Nina, linked by their Sephardic families as much as by their friendship, share their lives between love affairs, a beauty institute under fiscal control, children to raise, an undocumented Moroccan nanny to marry, repeated diets, family and religious holidays to honor, but before being beautiful, their biggest challenge is to be themselves.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Comme t'y es belle !?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lisa Azuelos

Written by

Hervé Mimran

Michèle Laroque

Michèle Laroque

Isa

Aure Atika

Aure Atika

Léa

Valérie Benguigui

Valérie Benguigui

Alice

Géraldine Nakache

Géraldine Nakache

Nina

Francis Huster

Francis Huster

David

Alexandre Astier

Alexandre Astier

Gilles

Thierry Neuvic

Thierry Neuvic

Michel

Court is in session

Put Comme t'y es belle ! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.