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No Filter

No Filter

Comedy · 2019

Beatrice celebrates with her family the release of her book: she tells about the accident of her husband Frederic. He became blind and without filter - always so funny and seductive, he is totally unpredictable. But this book, hymn-to-life, will turn into a joyful fist because if Beatrice changed the names, each of his friends seeks to find his character. The book awakens secret jealousies, while the group of friends and family pitch.

Movie details

No Filter

2019 Comedy 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Beatrice celebrates with her family the release of her book: she tells about the accident of her husband Frederic. He became blind and without filter - always so funny and seductive, he is totally unpredictable. But this book, hymn-to-life, will turn into a joyful fist because if Beatrice changed the names, each of his friends seeks to find his character. The book awakens secret jealousies, while the group of friends and family pitch.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over No Filter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Speech

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Comedy · 2020

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Names above the title

The people responsible.

Directed by

Eric Lavaine

Written by

Eric Lavaine · Bruno Lavaine · Barbara Halary-Lafond

Alexandra Lamy

Alexandra Lamy

Béatrice Mazuret

José Garcia

José Garcia

Frédéric Mazuret

Michaël Youn

Michaël Youn

Fabrice

Anne Marivin

Anne Marivin

Nadia

Medi Sadoun

Medi Sadoun

JP

Michel Vuillermoz

Michel Vuillermoz

Arnaud Lubert

Nuno Lopes

Nuno Lopes

Bernard

Court is in session

Put No Filter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.