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The Mummy

The Mummy

Horror · 1959

One by one the archaeologists who discover the 4,000-year-old tomb of Princess Ananka are brutally murdered. Kharis, high priest in Egypt 40 centuries ago, has been brought to life by the power of the ancient gods and his sole purpose is to destroy those responsible for the desecration of the sacred tomb. But Isobel, wife of one of the explorers, resembles the beautiful princess, forcing the speechless and tormented monster to defy commands and abduct Isobel to an unknown fate.

Movie details

The Mummy

“Torn from the tomb to terrify the world!”

1959 Horror 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

One by one the archaeologists who discover the 4,000-year-old tomb of Princess Ananka are brutally murdered. Kharis, high priest in Egypt 40 centuries ago, has been brought to life by the power of the ancient gods and his sole purpose is to destroy those responsible for the desecration of the sacred tomb. But Isobel, wife of one of the explorers, resembles the beautiful princess, forcing the speechless and tormented monster to defy commands and abduct Isobel to an unknown fate.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mummy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Terence Fisher

Written by

Jimmy Sangster

Peter Cushing

Peter Cushing

John Banning

Christopher Lee

Christopher Lee

Kharis, the Mummy

Yvonne Furneaux

Yvonne Furneaux

Isobel Banning / Princess Ananka

Eddie Byrne

Eddie Byrne

Inspector Mulrooney

Felix Aylmer

Felix Aylmer

Stephen Banning

Raymond Huntley

Raymond Huntley

Joseph Whemple

George Pastell

George Pastell

Mehemet Bey

Court is in session

Put The Mummy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.