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Me, Myself and Mum

Me, Myself and Mum

Comedy · 2013

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

Movie details

Me, Myself and Mum

2013 Comedy 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Me, Myself and Mum?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Guillaume Gallienne

Written by

Guillaume Gallienne · Claude Mathieu · Nicolas Vassiliev

Guillaume Gallienne

Guillaume Gallienne

Guillaume

Françoise Fabian

Françoise Fabian

Babou

André Marcon

André Marcon

Le Père

Diane Kruger

Diane Kruger

Ingeborg

Nanou Garcia

Nanou Garcia

Paqui

Götz Otto

Götz Otto

Raymund

Brigitte Catillon

Brigitte Catillon

Tante d'Amérique

Court is in session

Put Me, Myself and Mum on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.