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The Den

The Den

Horror · Thriller · Mystery · 2013

A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim.

Movie details

The Den

“Unmask a Whole New Side of Fear”

2013 Horror · Thriller · Mystery 1h 17m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Den?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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V/H/S

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When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire one rare VHS tape, they discover more found footage than they had bargained for.

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Names above the title

The people responsible.

Directed by

Zachary Donohue

Written by

Lauren Thompson · Zachary Donohue

Melanie Papalia

Melanie Papalia

Elizabeth Benton

Matt Riedy

Matt Riedy

Sgt. Tisbert

D

David Schlachtenhaufen

Damien

Adam Shapiro

Adam Shapiro

Max

Matt Lasky

Matt Lasky

Ex Machina

Victoria Hanlin

Victoria Hanlin

Brianne

Bill Oberst Jr.

Bill Oberst Jr.

Skeeter

Court is in session

Put The Den on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.