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The Harvest

The Harvest

Horror · Thriller · Mystery · 2015

After becoming orphaned, a lonely girl moves in with her grandparents and tries to befriend a sick, bed-ridden boy next door, despite his mother’s strong objections. Her persistence leads to a friendship, but during secret visits, she uncovers dark secrets in the boy's home.

Movie details

The Harvest

“First the Fall, then The Harvest.”

2015 Horror · Thriller · Mystery 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

After becoming orphaned, a lonely girl moves in with her grandparents and tries to befriend a sick, bed-ridden boy next door, despite his mother’s strong objections. Her persistence leads to a friendship, but during secret visits, she uncovers dark secrets in the boy's home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Harvest?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John McNaughton

Written by

Stephen Lancellotti

Samantha Morton

Samantha Morton

Katherine

Michael Shannon

Michael Shannon

Richard

Natasha Calis

Natasha Calis

Maryann

Charlie Tahan

Charlie Tahan

Andy

Peter Fonda

Peter Fonda

Grandfather

Leslie Lyles

Leslie Lyles

Grandmother

Meadow Williams

Meadow Williams

Sandra

Court is in session

Put The Harvest on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.