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Body Parts

Body Parts

Horror · Thriller · 1991

A criminal psychologist loses his arm in a car crash, and becomes one of three patients to have their missing limbs replaced by those belonging to an executed serial killer. One of them dies violently, and disturbing occurrences start happening to the surviving two.

Movie details

Body Parts

“Where does evil live, the heart, the mind or the flesh?”

1991 Horror · Thriller 1h 28m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A criminal psychologist loses his arm in a car crash, and becomes one of three patients to have their missing limbs replaced by those belonging to an executed serial killer. One of them dies violently, and disturbing occurrences start happening to the surviving two.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Body Parts?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Alone in the Dark

Alone in the Dark

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Maniac

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No One Lives

No One Lives

Horror · 2013

A gang of ruthless highway killers kidnap a wealthy couple traveling cross country only to shockingly discover that things are not what they seem.

Compulsion

Compulsion

Thriller · 2024

Two women—Diana, a flamboyant and ruthless thief, and Evie, a seemingly innocent young woman with a troubled past—become embroiled in a series of horrific murders on the island of Malta.

Candy Land

Candy Land

Horror · 2023

Remy, a seemingly naive and devout young woman, finds herself cast out from her religious cult. With no place to turn, she immerses herself into the underground world of truck stop sex workers. Under the watchful eye of their matriarch and an enigmatic local lawman, Remy navigates between her strained belief system and the code to find her true calling in life.

American Mary

American Mary

Horror · 2013

A young medical student struggling to pay tuition is drawn into the shady world of underground body-modification.

The Hitcher

The Hitcher

Crime · 2007

While driving through the New Mexico Desert during a rainy night, college students Jim Halsey and his girlfriend Grace Andrews give a ride to a hitchhiker. While in their car, the stranger proves to be a psychopath threatening the young couple with a knife, but Jim successfully throws him out of the car. This sets off a chain of events that will change all of their lives forever.

Blood Punch

Blood Punch

Horror · 2014

Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy ("ex") boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple's deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?

The Cell

The Cell

Horror · 2000

A psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim.

Where it lives

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Names above the title

The people responsible.

Directed by

Eric Red

Written by

Norman Snider · Eric Red

Jeff Fahey

Jeff Fahey

Bill Chrushank

Lindsay Duncan

Lindsay Duncan

Dr. Agatha Webb

Kim Delaney

Kim Delaney

Karen Chrushank

Zakes Mokae

Zakes Mokae

Detective Sawchuck

Brad Dourif

Brad Dourif

Remo Lacey

J

John Walsh

Charley Fletcher

Paul Ben-Victor

Paul Ben-Victor

Ray Kolberg

Court is in session

Put Body Parts on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.