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Bamboozled

Bamboozled

Comedy · Drama · 2000

Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

Movie details

Bamboozled

“A Spectacular Film by Mr. Spike Lee”

2000 Comedy · Drama 2h 16m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bamboozled?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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When her idolized twin sister Audrey dies in a car accident, Laurel decides to take her place. But, as she eases into the life she has always wanted, she must decide between continuing the lie or revealing herself.

The Legend of Barney Thomson

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Barney's Version

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Comedy · 2010

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Where it lives

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Names above the title

The people responsible.

Directed by

Spike Lee

Written by

Spike Lee

Damon Wayans

Damon Wayans

Pierre Delacroix

Savion Glover

Savion Glover

Manray / Mantan

Jada Pinkett Smith

Jada Pinkett Smith

Sloan Hopkins

Tommy Davidson

Tommy Davidson

Womack / Sleep'n Eat

Michael Rapaport

Michael Rapaport

Thomas Dunwitty

Thomas Jefferson Byrd

Thomas Jefferson Byrd

Honeycutt

Paul Mooney

Paul Mooney

Junebug

Court is in session

Put Bamboozled on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.